Just what is a Beach Read?
When I’ve posted before on this fiction sub-genre (here and here), I’ve characterized Beach Reads as novels that won’t demand much strenuous thought. A Beach Read is usually light on troubling themes about the state of the world; disasters can crop up, but a happy ending for at least some of the characters is required. The plot moves along quickly, and the pages seem to turn themselves, so that you still have time to gaze out at the body of water adjacent to your sandy perch. The setting for Beach Reads is often the summer, often at a tourist-attracting seaside town, but this setting is not mandatory.
The Beach Read reader is likely to be female. My informal sampling indicates that many men veer instead toward nonfiction for their vacation reading—maybe biography or social science or sports history. Perhaps because of its predominately female readership, the Beach Read is akin to the Chick Lit novel and the Reunion Romance, as well as to Hallmark Christmas/holiday movies. (For a great Reunion Romance, try Kate Eberlen’s Miss You.)
Certain authors excel at Beach Reads. Elin Hilderbrand really rises to the top, especially with her novels set on the Massachusetts island of Nantucket. Hilderbrand’s Beach Reads are strong because she draws her characters with finesse and creates mostly plausible plot components. She carries some of her characters from book to book, following their life trajectories and encouraging her readers to pick up the next offering. Members of Hilderbrand’s fan club, the Hilderbabes, are seriously devoted, as recently documented in the New York Times.
One of my favorite Hilderbrand novels is 28 Summers, published in 2020 and reviewed briefly on this blog. 28 Summers borrows its structure from Bernard Slade’s Same Time, Next Year, with two lovers meeting secretly each summer, starting in 1993, on Nantucket. You can take 28 breezy seaside vacations with these characters.
I don’t pretend that my take on Beach Reads is definitive. Some readers will say that a Beach Read is any work of fiction that they save for reading on vacation. They pack the titles that they’ve been anxious to read but haven’t had time for during the rest of the year. Fair enough. Other readers love to settle in under that sun umbrella with a good mystery or thriller that provides page-turnability similar to that of a Beach Read. In any case, if you borrow a Beach Read from your local library, try to keep it out of the water!
Here are reviews of three Beach Reads that I recommend.
Rock the Boat Beck Dorey-Stein (2021) Hallmark movies often feature an unhappy single person who leaves the big city for a quaint small town and finds love very unexpectedly. Take this trope and cross it with a Beach Read and a Reunion Romance, and you get Rock the Boat. When public relations exec Kate Campbell gets dumped by her wealthy Manhattan boyfriend of 12 years, she quits her job and moves back in with her parents in the small coastal tourist town of Sea Point, New Jersey. This is a major reversal for Kate, especially since New Yorkers really look down on New Jersey (even though those same New Yorkers flock to the Jersey Shore every summer).
In Sea Point, Kate reunites with two of her childhood friends—Ziggy Miller, a local plumber, and Miles Hoffman, a real-estate developer who has himself returned to Sea Point to re-engage with the family business. The past mistakes of Kate, Ziggy, and Miles are resurrected in brief flashbacks, and several sub-plots weave through the narrative. Don’t worry about keeping track of all the minor characters. Just watch Kate as she reinvents her life.
Summer of ’69 Elin Hilderbrand (2019) [A revised repost from this blog.] In the Author’s Note at the back of Summer of ’69, Elin Hilderbrand explains that she was born on July 17, 1969, six minutes before her twin brother entered the world. Fifty years on, Elin revisits the momentous events of the summer that she herself was born. She includes in her fictional narrative such actual occurrences as the spellbinding Apollo 11 mission to the moon; the tragic death of Mary Jo Kopechne at Chappaquiddick that derailed Ted Kennedy’s presidential hopes; the fabled rock ‘n’ roll encampment at Woodstock; and the continuing slaughter of troops and civilians in Vietnam.
Hilderbrand’s main characters are the Foley-Levin family, who summer on Nantucket, the small island off Cape Cod. Blair, the eldest of the offspring, is recently married and is diagnosed late in pregnancy as carrying twins. Kirby, the rebel sister, takes a job on the nearby island of Martha’s Vineyard, where she is almost a witness in the Kopechne/Kennedy case. Tiger, the only son, is off fighting in Vietnam, driving his mother to drink. And 13-year-old Jessie, the youngest, gets invited to Woodstock. Hilderbrand takes us back to 1969 in all its glory and horror through the experiences of this family. Some of the plot twists will be obvious to any avid reader of mystery novels, and a few anachronisms crop up. But, despite the backdrop of the Vietnam War, Summer of ’69 is mostly brisk and cheerful, with wrap-ups of most of the plot lines by the final pages. You can have that second margarita and still be able to follow the story.
Endless Summer Elin Hilderbrand (2022) This collection of nine short prequels and sequels to several of Hilderbrand’s novels is for her diehard followers. Of special note are the sequel novellas, Summer of ’79 and Summer of ’89, that are included. These novellas follow the Foley-Levin clan ten years out and twenty years out from the novel Summer of ’69, with emphasis on the various romantic entanglements that were introduced in the novel and that play out in sometimes unexpected ways as the decades unfold. The pop culture references that Hilderbrand tosses in to her narrative to set the decade can be heavy at times, but I love epilogues, and these two novellas are, in a way, highly extended epilogues.
