Akin Emma Donaghue (2019)
The premise of this novel is unusual, stretching credibility a bit. Noah Selvaggio, a recently retired chemistry professor in Manhattan, is about to leave for a solo trip to Nice, in the French Riviera, to celebrate his 80th birthday. Two complications arise. First, in clearing out a box of family memorabilia, Noah comes across a group of odd photographs that seem to have been taken in Nice during World War II. Second, a social worker phones Noah to ask him to become a temporary foster parent to his eleven-year-old-nephew, Michael, whom he’s never met. Michael’s father is dead, his mother is in prison, and his maternal grandmother, with whom he had been living, has just died. Noah decides to take Michael along on his European vacation, since it would be expensive to cancel the trip altogether.
Several plot lines move the story forward. In Nice, Noah is trying to figure out why his mother would have taken those photographs in Nazi-occupied Nice. He himself was born in Nice and lived there until he was about four, so he’s conjuring up early memories, grasping for obscure French words, and remembering his beloved grandfather, who was a famed photographer. Noah is also thinking through the mysterious circumstances of the death of Michael’s father.
But mainly Noah is trying to get along with Michael, which is particularly challenging because Noah and his late wife had no children of their own. Noah has little knowledge of the digital world into which Michael was born—a point that the many dialogue exchanges between Noah and Michael highlight. For example, when Michael asks about the availability of wi-fi, Noah hears it as a question about his deceased wife, whom he dearly misses.
Both Michael and Noah are alone, but they are “akin” in a world where each has lost most of his family connections. On this trip they’re together, in a foreign place, forced to rely on each other. (In this way, Akin has some similarities to Donaghue’s blockbuster novel-and-movie Room, about a mother and her son kept captive together in a shed by a deranged rapist. Akin, however, is not at all horrifying.) Noah and Michael roam the tourist sites during the Carnaval de Nice, an annual festival, gradually learning each other’s vocabulary and interests and tastes in food.
The sub-plots in the novel are wrapped up pretty tidily, but don’t expect a dramatic happily-ever-after for the protagonists in Akin. Instead Donaghue paints a realistic and satisfying picture of the possibilities for a little less loneliness for both Noah and Michael.