Mysteries by Spencer-Fleming

Julia Spencer-Fleming’s excellent series of mystery thrillers, featuring Clare Fergusson and Russ Van Alstyne, really must be read in chronological order, starting with In the Bleak Midwinter, from 2002. Here’s an excerpt from my review of that book:

“The character Clare Fergusson served as a combat helicopter pilot in the Army but finds her true vocation as an Episcopal priest . . . Clare is in bad shape emotionally from her military service. Russ, who is also a veteran, has his own demons. The electricity between these two is crackling from their very first meeting. And did I mention that Russ is married? . . . I confess that the crimes that occur in the Clare/Russ Series are not the main attraction for me. There are violent scenes that I have to glide past, particularly when they involve fresh human blood on snow banks. I’ve read this series primarily for the interactions of Clare and Russ and for the Episcopal humor . . . The setting is depicted generously and with elegant detail, helping readers feel the biting cold winds of a blizzard, the treacherous slippage of tires on ice-slicked roads.”

The ninth and tenth offerings in the series do not disappoint. I challenge readers to put down either of these books in the last 50 pages:

Hid from Our Eyes     Julia Spencer-Fleming     (2020)  Spencer-Fleming takes each of her book titles from a well-known hymn in the Episcopal tradition, which is fitting, given Clare Fergusson’s occupation as a priest in a fictional small town in upstate New York. In Hid from Our Eyes, Rev Clare and Russ Van Alstyne, the town’s chief of police, put their considerable intelligences together to solve three murders, two of which are decades-old cold cases. Even the most astute of mystery readers is unlikely to guess the ending of this twisty one, which features Spencer-Fleming’s rapid-fire dialogue and beautifully drawn characters.

At Midnight Comes the Cry     Julia Spencer-Fleming     (2025)  This title is taken from an Advent hymn, and the story is, appropriately, set in the time between Thanksgiving and Christmas. In the busy holiday season, Clare and Russ are drawn into confrontation with a white supremacist militia that operates in the nearby Adirondack Mountains. Complicating matters is the fact that local police officer Hadley Knox is worried that her former-maybe-not-former boyfriend, Kevin Flynn, has disappeared into those mountains. State forest ranger Paul Terrance is introduced in this book, and he’s a welcome addition to the cast of characters, bringing the perspective of a Native American to the rugged landscape where the shocking story plays out.

 

Unconventional Contemporary Women

Whether in Nebraska or New York, you can find women who defy stereotypes.

Cherry Baby     Rainbow Rowell     (2026)  First, the title. Cherry is a plus-sized woman in her thirties who lives in Omaha. Baby is the name of a character that her husband, Tom, invented in a webcomic that went viral and is being made into a movie in Hollywood. Baby bears a remarkable resemblance to Cherry—hence, marital discord. Cherry and Tom separate, planning to divorce, and Cherry starts dating Russ, an old college crush of hers. Will she start a new life with Russ? Will she reunite with Tom? That’s the basic premise of the novel, but there’s much more. The novelist explores many aspects of body positivity, including through explicit sex scenes. The culture of Nebraska versus the culture of California is in the background, as are Cherry’s disagreements with her fundamentalist Christian family. It’s a roller-coaster ride, engaging and witty. (For my review of Rowell’s 2011 novel, Attachments, click here and scroll down.)

Go Gentle     Maria Semple     (2026)  Adora Hazzard is a fiftyish philosopher who specializes in ancient Greek Stoicism, and like a good Stoic, she tries to control her emotional reaction to the uncontrollable events around her. But she is nonetheless a pretty wild woman, getting herself involved in an unexpected romance and in an international art heist. Readers dash around New York City with the manic Adora in novelist Semple’s trademark fashion (exemplified in the 2016 Today Will Be Different, reviewed here). Semple excels in probing parent-child relationships, women’s midlife angst, and the pretentiousness of the ultra-wealthy. The hilarious one-liners in the dialogue come fast and furious in Go Gentle’s first-person narration, which makes sense when we learn, in a lengthy flashback, that Adora was once a Hollywood comedy writer. The title of this novel is a reference to Dylan Thomas’s poem that advises against passive acquiescence to mortality, and Adora certainly doesn’t acquiesce.

 

Native Gardens: A Longer Review

Plant This, Not That:  Over 200 Native Swaps for a More Sustainable, Pollinator-Friendly Garden      Elise Howard     (2026)

Elise Howard’s book, lavishly illustrated with color photos, offers a treasure-trove of native plants that you can choose instead of the standard garden center offerings. Howard asks gardeners to forgo many staples of American gardens in favor of plants that were present before European migration brought species from around the globe to our shores and before extensive hybridization reduced the number of plants available to pollinators. Why? If a plant isn’t native, it’s not part of the complex web of interdependent species in every local area.

Sometimes the plant substitution that Howard advocates is fairly simple:  buy a native hydrangea instead of one that came from Asia, or buy a native rose instead of a highly hybridized rose. But in other cases, you’ll need to choose an entirely different genus in order to go native:  instead of a lilac, plant a redbud; instead of a hosta, plant a fern. This guide has a capsule description of each recommended plant, as well as a detailed map that shows where in the United States that plant is native.

The stakes for swapping out are higher when a non-native landscape plant in your yard is also classified as an invasive plant. Invasives include (in at least some part of the United States) privet, barberry, callery pear, Japanese honeysuckle, pachysandra, English ivy, bugleweed, periwinkle, creeping jenny, spotted deadnettle, and many others. These plants can leap boundaries to smother native plants in nearby yards as well as in nearby forests and hedgerows and highway medians. And invasives don’t support local pollinators and other wildlife the way natives do. Plant This, Not That helps gardeners get a handle on what to plant to keep the bees buzzing and the birds singing. For example, instead of privet, plant serviceberry, one of my favorites.

I gleaned many great ideas for my own gardens from this book, and I totally agree with Elise Howard that we should plant more natives, getting rid of lawns and of invasive plants. I write from many decades of experience in incorporating natives into urban gardens, plus twelve years of growing native plants in three large rain gardens. (Rain gardens are slightly sunken areas with native plantings selected for their ability to absorb rainwater directed to them.) From this perspective, I do have a few critiques of Howard’s gardening dicta—dicta that are commonly accepted within the community of native-plant enthusiasts.

Percentages.  Along with other prominent native-plant advocates, Howard recommends aiming for 70% native plants on your plot of Earth, including the lawn. This is a high bar, and my gardens don’t achieve it, even though I have no lawn whatever. This is partially because I grow many culinary herbs that are of Mediterranean origin—basil, oregano, parsley, sage, rosemary—as well as non-native tomatoes, peppers, and eggplant. And the huge leaves of my non-native rhubarb plants take up a sunny corner of my yard. My vegetable/herb garden provides my household with an incomparable edible harvest. Even if I did forego a garden that stocks my kitchen, I’d have to buy produce that was raised on someone else’s plot of Earth. (See also my comments on Harmless Non-Natives, below.)

Harmless Non-Natives.  What if a plant that you love originated outside of North America but does not spread unduly—no self-seeding, no creeping rhizomes?  And what if a noninvasive plant has been hybridized to the point that it has no value to pollinators?  Should you keep these plants? These non-natives do take up space that native plants could use, but they’re doing no more harm than would a patio or an Adirondack chair in your yard. For instance, I have many long-lived peony plants, some of which were present when we bought our current property. Peonies originated in Asia, and most of them are of no value to pollinators. But they are not invasive, and they look very nice, both when in glorious bloom and when, after bloom time, they stand as compact green shrubs until a hard frost. I respect the pollinators, but I don’t plan to uproot my peonies.

Hyper-Local Natives.  Howard urges that gardeners plant only natives that are very specific to the pollinators in their locale. These days, greenhouses that sell hyper-local plants populate my county in Michigan. But a decade or two ago, I had to search out native plants online or from the few plant nerds who grew them in their back yards. Some of the plants that I bought then are not native to my local bioregion but rather to a couple of states away. Foamflower and Virginia sweetspire are now established and thriving in my gardens, and I don’t plan to replace them with hyper-local natives.

Maintenance.  I take exception to Elise Howard’s claim that native gardens are super-easy to maintain. I’ve planted natives that were so highly aggressive that, with much effort, I pulled them all up and banished them from my yard. (Nodding wild onion, I’m talking to you.) I’ve planted natives that were 8 feet tall and kept falling over, looking pitiful in an urban setting. (I gave away the cup plants.) I’ve planted natives that the deer herd in our neighborhood totally devoured. (Farewell, golden Alexanders). I’ve planted natives that were so prone to disease that they were virtually dead every year by midsummer. (Sorry, you poor black-eyed Susans.) Native gardens, like most gardens, have to be edited constantly. The gardener has to add and subtract plants to keep the plot in balance and to provide blooms for pollinators throughout the growing season. For example, I have to dig up some of my blue flag irises every few years, or I’d have nothing else in my rain gardens. Blue flag iris is an attractive plant—with flowers in the spring and neat, upright leaves the rest of the growing season—but I also want room for summer-blooming blazing star and autumn-blooming Joe Pye weed. Further, I spread cedar mulch around the plants in my gardens to reduce weeds. Howard strongly advises against the use of mulch, instead advising that gardeners leave each year’s dead stems and flowers on the soil. But I’ve found that, even in my densely planted native garden areas, weed seeds blow in and weeds must be removed. Since I don’t spray chemical weedkillers in my gardens, mulch is my friend on the weed scene.

Neighborliness.  Complaints that I hear about native gardens, even in my highly progressive city, center on tidiness. Native gardens that are not weeded draw criticism for their unruly appearance, and tall native gardens planted on an extension or a street corner can block visibility for pedestrians, bicyclists, and vehicles. If you live in a rural area, you can probably dedicate a section of your property to tall natives like big bluestem, which used to grow in enormous swaths on America’s prairies. In the city or the suburbs, however, such plantings can cause neighborhood friction. My own rain gardens, full of native plants, at first raised the hackles of some neighbors, who thought that I was installing ponds to breed mosquitoes. I now have a descriptive sign in my front yard rain garden and take time to answer the questions of passersby, defusing their concern. Slowly, attitudes may change, but in many areas of the country, city ordinances and HOA rules may still militate against natives. Until native gardens are more generally understood, I’ve compromised with a few “nativars”—plants that have been bred from native stock to bring out certain desirable traits, such as larger flowers or lower height. Pollinators may not always gravitate to my nativar ironweed as much as they would to a hyper-local ironweed, but neighbors can’t object to the appearance of the plant in my front yard.  

My recommendations. (1) Dig up plants that are invasive in your region, and send them to a landfill or to a city composting center, not to your backyard compost pile. (2) Remove your lawn—little by little if that works best for you—and plant natives. (3) If you want, keep your vegetable and herb garden, plus some of your beloved non-natives that aren’t invasive. (4) Learn about rain gardens, and create one with native plants. (5) Use Elise Howard’s book as one of your guides, but research carefully before you buy. If you’re going to invest in a native plant, you’ll want to be certain that it will work in your yard—and that it will give you joy. 

Addenda:

  • For plant information, missouribotanicalgarden.org is indispensable (plant finder).

  • Any book by Douglas Tallamy will give you the ecological arguments for native plants.

  • Here is my county’s excellent website on rain gardens.

  • A July 2026 piece by science writer Ferris Jabr in the New York Times (here) is the best I’ve read on a balanced approach to native plants.

  • Note that I’ve used common names for plants mentioned in this post. A quick online search will give you the scientific names.

Two Bestsellers

From—where else?—the New York Times bestseller lists.

The Land and Its People     David Sedaris     (2026)  The 28 essays in this latest collection from David Sedaris, his sixteenth, are products of the craft he’s been honing for decades, so they’re tip-top. The theme in this volume tends to be friendship, with stories about people Sedaris knew in his younger days, about his siblings, and about people he’s met while traveling (on lecture tours or on vacation). I had read several of the essays in the magazines where they were previously published, but that didn’t diminish my enjoyment of them—it allowed me to notice more details. As usual, Sedaris is clever, witty, insightful, and sometimes vulgar. For a more complete assessment of his talents, see my lengthy review here. One sentence from that review:  “Sedaris blurs the line between fiction and nonfiction, taking scenes from real life, amplifying them, and surrounding them with extraordinary contextualizations.”

Yesteryear     Caro Claire Burke     (2026)  The satire is over-the-top in this highly addictive debut novel. First-person narrator Natalie Heller Mills is a wealthy tradwife social media influencer with millions of followers. “Yesteryear” is the name of the Idaho farm where she and her cowboy-adjacent husband raise a passel of kids who drink raw milk. Although Natalie couches her story in the godly language of her evangelical upbringing, her narcissism and cattiness are quite apparent. And although she appears online to be managing her household and her sourdough bread and her posts all on her own, the farm actually has a large hidden crew of workers. Then one day Natalie wakes up to find herself in a hardscrabble life on a mid-19th-century homestead, with a husband and family sort of like—but not quite the same as—her 21st-century husband and family. I kept reading for hours to find out what was going on. Was it time travel or a bad dream or a reality television show or revenge of the universe for Natalie’s exploitations? Novelist Burke searingly lampoons MAGA supporters without ever calling them that, but she also spoofs East Coast elites (at Harvard, no less) with exaggerated portrayals. The action moves along quickly, and the ending is a zinger, in this highly recommended read.

 

Around the World

Two novels about families, one set in Australia and one in London and Florence.

A Far-Flung Life     ML Stedman     (2026)  The sunsets can be gorgeous, but daily living can be austere on a sheep station at the edge of the desert in Western Australia, especially back in 1958, when this novel opens. The MacBrides have toughed it out for generations—and built a good family life—when a terrible accident sends them spiraling into despair. Stedman documents the repercussions up through the new millennium. Like Stedman’s previous novel set in Australia, The Light Between Oceans (reviewed here), this one tips somewhat toward melodrama, with odd coincidences and misunderstandings driving the plot. But the characters are convincing and the story is propulsive. Keep the internet handy to look up some of that Aussie vocabulary and then enjoy the ride.   

Still Life     Sarah Winman     (2021)  In this 450-page love letter to Florence, Italy, Sarah Winman evokes that city’s Renaissance past, especially art in all forms. And she shows how love between people can be manifest in many forms. Ulysses Temper, a British soldier in World War II, is central to the ensemble cast of family and friends who move through much of the twentieth century (1944-1979, plus a long flashback to 1901), crossing repeatedly from London to Florence and back. There’s some magic realism (a highly verbose parrot, a series of successful wagers based on dreams) as well as the appearance of the novelist EM Forster in his youth. The opening dialogue segment is somewhat bewildering, but get past that to relish this novel. I’ve also reviewed Winman’s novel Tin Man here.

 

Novels about Survival

From Daniel Defoe’s novel Robinson Crusoe (1719) to the movie The Martian (2015), tales of survival against all odds have long fascinated me.

Isola     Allegra Goodman     (2025)  Allegra Goodman’s Isola provides a new twist on the survival trope, with the character of Marguerite de la Rocque, who is abandoned on a rocky island in the Gulf of St Lawrence in the sixteenth century. (“Isola” means “island” in Italian and can also be interpreted as “I sola,” or “I, alone.”) The novel is a fictionalized first-person account of the historical Marguerite, an orphaned French noblewoman who travels with her guardian on a ship bound for a remote and dangerous colony in Canada. The guardian, angered when Marguerite falls in love with a subordinate of his, devises a cruel punishment. The narrative lead-up to the voyage is slow but necessary to a full understanding of Marguerite’s developing strength of will and of her guardian’s personality and motives. The chapters in which the novelist describes Marguerite’s two years on the island will carry you away to a wild and unforgiving terrain. 

 

Tilt     Emma Pattee     (2025)  When the present-day Pacific Northwest is hit by a massive earthquake, Annie is inside the Portland, Oregon, IKEA store, shopping for a crib, because her baby is due in three weeks. Somehow, Annie has to get out of the store and walk miles through scenes of massive destruction to try to find her husband and get to their apartment. Longtime readers of this blog know that I review very few novels about apocalyptic events, but I stuck with this one because the story propelled me from page to page. Annie meets people who are incredibly kind and people who are incredibly cruel, and she stays brave as she tries to find water and food and information. She talks to her unborn child (whom she calls “Bean”) and recalls past events of her life with Dom, her husband. I read Tilt in one sitting and recommend it—if you can handle the apocalypse.

 

Nonfiction: Gardening and Cooking

Two of my favorite pastimes are featured in this post.

Winterland: Create a Beautiful Garden for Every Season     Cathy Rees     photos by Lisa Looke     (2021)  Author Rees has a pleasant conversational tone as she advises about how to arrange gardens for wintertime beauty. In the five sections of the book (Design, Contrast, Embellish, Care, and Share) she offers many clever and practical approaches, accompanied by photos. I especially liked her ideas on layering of plants, on sculptural pruning, and on working with the sunlight and shadows of winter. This isn’t necessarily a book to purchase but rather one to check out from your local library and page through—especially in the warm seasons, when the ground is thawed and you can implement changes that you can appreciate when the snow falls.

The Sheet Pan:  150+ Easy, Creative Meals from Your Most Versatile Pan     America’s Test Kitchen     (2025)  Everything you’ve ever wanted to know about cooking with a sheet pan can be found in this lavishly illustrated guidebook. As a mostly vegetarian cook, I just skimmed over the chapters on meats, but I put many sticky notes in the chapters that feature sandwiches, vegetable mains, breakfast, sides, and snacks. Recipe examples: White Bean and Sun-Dried Tomato Patties; Lavash Flatbreads with Romesco, Tomatoes, and Spinach; Roasted Tofu and Sweet Potato Bowls; Roasted Vegetables and Lentils with Feta and Herb Oil; Everyday French Toast; One Big Pancake; Elote; Spiced Nuts. All these and many more savory and sweet dishes can be made on a sheet pan! I found particularly helpful the book’s introductory section, titled “The Sheet Pan Advantage,” which takes the reader through all the necessary techniques for sheet-pan success. America’s Test Kitchen is a solidly reliable source for cooking advice, and this volume is a winner.

Two Mystery Novels

Fire Must Burn     Allison Montclair     (2026)  In this eighth entry in the Sparks and Bainbridge Mystery Series, the inimitable Iris (Sparks) and Gwen (Bainbridge) are back at the murder game, even though their actual occupation is running a marriage bureau in post-World-War-II London. This time Iris, a former British spy, is dragooned into helping her former spy boss on a tough case that requires subterfuge with clients of the marriage bureau. At the end of every Montclair novel I don’t want to let go of these fantastic characters, in spite of the post-war rationing and the bombed out buildings and the British patriarchy that they have to endure. Iris and Gwen are the best models for women heading into the second half of the twentieth century. I recommend reading this series from the beginning, and my reviews of several previous titles are here.

History Lessons     Zoe B Wallbrook     (2025)  This debut novel is billed as a mystery, and the lead character, Daphne Ouverture, does indeed get entangled in solving the murder of a colleague of hers at Harrison University, an elite (fictional) institution in the (fictional) small city of Calliope. But in addition to producing a reasonable mystery, novelist Wallbrook also sends up academic politics most blisteringly, and she even dips into the romance genre with a love-at-first-sight subplot. As I read, I noticed that the setting seemed uncannily similar to Ann Arbor, Michigan, home of the University of Michigan, where I used to work. Some poking around on the internet revealed that Zoe B Wallbrook is a pseudonym for Kira Thurman, who is a real live associate professor at UM. This discovery provided me opportunities for decoding beyond the basic story, observing how Wallbrook/Thurman disguised UM. And if Kira is as endearing as the character Daphne, she’d be fun to bump into around town.

Lightweight Reads

Nothing wrong with fiction that is minimally challenging! These two novels don’t rise to the level of Great Literature, but they’re entertaining.

A Forty Year Kiss     Nickolas Butler     (2025)  In Chippewa Falls, Wisconsin, we first meet Charlie sitting on a barstool, waiting nervously for the arrival of Vivian, his ex-wife, whom he has not seen for forty years. Charlie is an alcoholic—not one who gets dead drunk but one who can’t stay away from liquor. At age 64, he has retired and is renovating a farm in Wisconsin that he’s inherited. He tells Vivian that he’s changed the wild ways of his youth and wants to reunite. Vivian, meanwhile, has been leading a hardscrabble life, taking care of her grandkids for her daughter, who is a single mother. Vivian is somewhat skeptical of Charlie, and their on-again-off-again re-romancing forms the basis of the novel. It’s a fairly slender thread on which to hang a plot, but Butler makes it work, with Charlie and Vivian both gradually unveiling their secrets. Oh, and the book starts and ends with a kiss. Aside from being set in the Midwest, this novel is quite unlike Butler’s two previous novels that I’ve reviewed, The Hearts of Men and Little Faith.

Hedge     Jane Delury     (2023)  In 2012, middle-aged Maud takes a short-term job researching and restoring the gardens on a large estate in the Hudson Valley in New York. She was already seriously considering divorcing her husband (who has remained at their home in California), when she meets a co-worker, archeologist Gabriel. Sparks fly. Maud’s two daughters finish the school year and join her in New York, causing sparks of a different kind to fly. The novelist chronicles Maud’s family life over the next three years, with unexpected health challenges and the waxing and waning of relationships. I checked this book out of my local library because Maud is a garden historian—a person trained to reconstruct landscapes from the past. There are some fun gardening components of this novel, but the main themes are (1) people are imperfect and (2) life is messy.  See also my review of The Balcony, Delury’s 2018 book of linked stories, here.

Family Stories through the Years

The authors of these three recent novels follow the complexities of family life over several decades.  

Real Americans     Rachel Khong     (2024)  What starts out seeming to be a lightweight first-person account of an unlikely romance between two twenty-somethings turns into a searing exploration of the ethical boundaries of research in human genetics. This novel unfolds in three parts: Lily Chen narrates her relationship with Matthew Allen in late-1990s New York City; Lily’s son, Nick, recounts his life in Seattle and New Haven, starting in 2021; and May, Lily’s mother, takes us back to 1960s China as she tells her life story in the year 2030 in San Francisco. Who are the “real Americans”? May emigrated to the United States as a young adult but carries the burden of her past life in China. Lily was born in the United States, but as an Asian American woman she often feels stereotyped. Nick is half Chinese but looks more Caucasian. And Matthew’s family . . . well, how do they fit into the American system of capitalism? There are many secrets to untangle. For another take on immigrant experiences, see my reviews of the novels of Weike Wang.

The Names     Florence Knapp      (2025)  When Cora Atkin is registering the birth of her newborn son in 1987 England, she vacillates among three names:  Bear (her older daughter’s pick), Julian (her own favorite), and Gordon (the choice, and namesake, of her tyrannical husband). What follows in this novel is an exploration of how the three choices would play out in the life of that son and of the entire family. The author follows each thread every seven years, through the year 2022, and each of Cora’s name choices has vastly different repercussions. (Be warned:  There are scenes of violent domestic abuse by Cora’s husband.) The central conceit here—that seemingly small decisions can have major long-term implications—keeps the reader turning those pages. For a similar narrative approach, in a much longer novel, check out Paul Auster’s 4321, reviewed here.

 Lake Effect     Cynthia D’Aprix Sweeney     (2026)  In a prologue, the novelist describes how a character brings copies of Alex Comfort’s 1977 bestseller The Joy Of Sex to her book club gathering. This is a clear signal that the ensuing plot is going to involve people whose sexual needs are not being met. Yes, middle-aged Nina Larkin and Finn Finnegan are, for different reasons, desperate for intimacy, and their families happen to live across the street from each other in Rochester, New York. Lake Effect traces the consequences of their actions from 1977 out to the 1990s, and, incidentally, follows the decline of Rochester’s major industries. I thought that the last few chapters trailed off without an adequate wrap up, but most of this family drama was well wrought and credible.  

Historical Novels, 18th and 20th Century

The Frozen River     Ariel Lawhon     (2023)  In 1789 Maine, midwife and healer Martha Ballard is summoned to examine the body of a man pulled from the frozen Kennebec River. How did he die? How does his death touch her own large family? And how does it relate to Ballard’s recent report to authorities of the rape of one of her clients? This book can be read primarily as a murder mystery, with the culprit not revealed until the very end. But it’s also a fictionalized account of six months in the life of Midwife Ballard, a historical figure who left a daily diary that covered decades. Ballard’s surviving writings provided the novelist a valuable glimpse into life in colonial America, particularly with respect to the perils of childbirth and the place of women in that society. Although I found the tirades against the patriarchy by the fictional Ballard occasionally anachronistic, her principled stance against injustice is inspiring. She lived only a century after the Salem witch trials, so her profession was not without risk. And don’t miss the very minor side-plot in which Paul Revere rides to the rescue! 

33 Place Brugmann     Alice Austen     (2025)  In the small apartment building at 33 Place Brugmann, in 1939 Brussels, the lives of fourteen inhabitants interlock with each other. Their placid upper-middle class existence changes radically when the occupying Nazis arrive in May of 1940. Pay attention to the small details in the early chapters of this smart novel, because many of those bits play out later, as the characters struggle for survival under an authoritarian regime rife with corruption and brutality. Some of the beautifully drawn characters will prove to be truly selfless and heroic. But which ones? The author actually lived at this address in Brussels for several years, so her descriptions are vivid and convincing. I found that some elements of 33 Place Brugmann reminded me of Amor Towles’ A Gentleman in Moscow, reviewed here.

Three Novels by Reliable Authors

Evensong     Stewart O’Nan     (2025)  This is the fourth book in which the novelist’s Pittsburgh-dwelling character Emily Maxwell has appeared, and for this appearance she’s part of an ensemble cast. Emily belongs to the Humpty Dumpty Club, a group of elderly women who help their circle of friends with the day-to-day challenges of aging—think rides to medical appointments and delivery of food packages. As I wrote in my review of 2019’s Henry, Himself (Henry being Emily’s late husband), “Somehow, novelist O’Nan is able to turn everyday events into drama that drives his narrative in a highly effective way. I haven’t yet figured out how he does this. It could be the naturalistic dialogue.” (Click here for my full post.) There’s no thrilling climax to the story in Evensong. Rather, there’s a placid and highly believable documentation of human kindness. The other two books in which you can learn more about Emily are Wish You Were Here (2002) and Emily, Alone (2011).

The Winds from Further West Alexander McCall Smith (2024) I’ve long been a devotee of three of McCall Smith’s book series:  The No. 1 Ladies’ Detective Agency (reviewed here), 44 Scotland Street (reviewed here), and The Sunday Philosophy Club (reviewed here). McCall Smith also publishes stand-alone novels, of which The Winds from Further West is one. In this book, Dr Neil Anderson is a thirty-something medical researcher in Edinburgh, and he’s a very nice guy. He unexpectedly gets into a messy academic controversy when a comment that he makes is misinterpreted by a student. At the same time, his relationship with his girlfriend ends. In frustration and sadness, he retreats to the island of Mull, off the west coast of Scotland, to get his head straightened out. Mull is isolated and bucolic, with kindly inhabitants, and the retreat is successful. Like all of McCall Smith’s fiction, this book is low-key, focusing on the characters’ internal decision making as they weigh the right and wrong of situations. (Makes sense, since McCall Smith is a retired professor of medical ethics and law.) I did wonder if the emphasis on the unfair accusations of Neil’s student indicates that the author harbors right-wing opposition to “wokeism.” No—McCall Smith is a member of a center-left political party in Scotland, and throughout his fiction he espouses support for social welfare programs and environmental protections. Maybe he himself had a run-in with a student somewhere along the way!

Father of the Rain     Lily King (2010)  The character of Daley Amory recounts her relationship with her alcoholic and abusive father, starting at her eleventh birthday, when her parents are about to get divorced. Daley’s parents represent two different worldviews, which, historically, were colliding as the story begins in 1970s Massachusetts. Her father is a conservative, patriarchal, racist country-club member. Her mother is not. Over a period of about thirty years, Daley, who adores both her parents, repeatedly tries and fails to remove herself from her father’s destructive orbit. Lily King excels at portrayals of families in crisis, especially through dialogue, as noted in my previous posts about her writing. See my recent spotlight post on this author here.

 

Journeys

The novels reviewed below both involve a journey, one of the great tropes of literature for thousands of years, whether you call it a pilgrimage or a voyage or an expedition or a flight or a road trip.

I Cheerfully Refuse     Leif Enger     (2024)  In a dystopian near-future version of far northern Minnesota, Rainy and his wife, Lark, try to escape the notice of an autocratic American government by being far off the beaten track. Although society has basically collapsed, Lark does own a second-hand bookstore, and the written word is a threat to autocracies. After a series of tragedies, Rainy sets off, with his bass guitar, in a rickety sailboat, across the turbulent and unpredictable Lake Superior. He endures many hardships and is often thrown off course by the damaged people he meets at numerous ports of call. This is a scary book, prescient in that it was written before the second Trump presidency. I heard echoes of The Odyssey, The Handmaid’s Tale, The Adventures of Huckleberry Finn, and Don Quixote. Dystopia is not my jam, but I kept reading because of Leif Enger’s stylistic excellence. Enger’s novels are all set at least partially in Minnesota, his home state, and all are written in first-person narration, which conveys truthfulness and immediacy. See my reviews of two of his previous novels, Virgil Wander and Peace Like a River. And for another Lake Superior tale, by Peter Geye, click here.

The Rest of Our Lives     Ben Markovits    (2025)  Years ago, Tom Layward vowed that he would leave his wife, Amy, when their younger child turned eighteen. (He couldn’t forgive Amy for an affair that she had.) When he drops off their daughter at her freshman dorm in Pittsburgh, he decides to drive west rather than return to his home in New York. He stops in South Bend to visit his brother, in Denver to see a friend who’s having legal problems, and in Las Vegas to look up a girlfriend from his college days. He finally runs out of road in Los Angeles, where his son is in graduate school. Along the way, Tom reflects on his marriage and on his legal career, both of which are in serious trouble. I thought that this story, told in first person, might be getting too meandering, but then the last 29 pages of the novel pull together hints from the previous 200 pages and wallop the reader. Markovits asks us all to consider, What about the rest of your life?

20th-Century Families

Fiction set in the twentieth century may seem too close to the present day to qualify as “historical,” so perhaps it’s better to categorize these novels as “family sagas.” Following characters for decades allows an author to demonstrate their reactions to many life challenges.

Buckeye     Patrick Ryan     (2025)  Sweeping across many decades of the twentieth century, this engaging novel recounts the lives of two couples—Cal and Becky Jenkins and Felix and Margaret Salt—who become linked by a fateful encounter at the end of World War II. The novelist moves the action along briskly while still lingering on everyday details that flesh out the scenes. The setting is a fictional town in northwest Ohio, an area where I was born and where I still have many relatives, and it rings true. One theme that pervades the narrative is the lasting trauma of war:  the mustard gas that a World War I veteran remembers, the loneliness and grief of wives whose husbands are fighting in World War II, the senseless slaughter of the Vietnam War. One national reviewer of Buckeye called it “old fashioned.” Yup. I loved it.

Bug Hollow     Michelle Huneven     (2025)  In 272 pages, this fast-paced story takes readers through forty-plus years in the lives of the Samuelson family. (And that page count includes a rather odd excursion into the life of “an old family friend,” Mrs Wright.) The sudden accidental death of one of the Samuelsons affects the members of the family in different ways—alcoholism, an extramarital affair, an unexpected adoption. Author Huneven develops her characters deftly, showing how they remain resilient despite the inevitable unhappinesses of their lives. A bonus is the portrayal of the culture of southern California through the decades.

Author Spotlight: Lily King

The American author Lily King writes about human emotions with great sensitivity. Here are brief reviews of four of her books—three novels and a collection of short stories—that I recommend.

Heart the Lover      Lily King     (2025)  In Part I of this novel, a young woman, a senior at an unnamed university somewhere in the eastern United States, befriends two brilliant male students, Sam and Yash, who nickname her “Jordan.” Her intellectual life is ignited—and her ambition to become a writer is fueled—by her many conversations with these two. Jordan’s romantic entanglement with Sam and Yash in turn is another matter. Parts II and III of the novel skip many years into the woman’s future, where the consequences of her decisions back in college are played out in very sad scenes. On the last page of the novel, there is one surprising line that links this story to King’s novel Writers and Lovers.  (I didn’t understand the title until the section of the novel that describes a card game that one of the characters invents: “Heart the Lover” is the king of hearts card. You can download instructions for this game at the author’s website.)

Writers and Lovers    Lily King     (2020)  Casey, a 31-year-old server at a restaurant in Harvard Square, is a woman with authorial ambitions. She lives frugally and spends every spare moment writing a novel. She also meets some pretty wacky boyfriends. As a former server myself, I loved the restaurant scenes.

Five Tuesdays in Winter     Lily King     (2021)  I usually prefer the expansiveness of the novel format, but each of these ten stories creates a believable universe of characters and life experiences. Settings range from New England to the North Sea, from the 1960s to the present.

The English Teacher     Lily King     (2005)  In 1979, Vida Avery is an extraordinarily talented member of the staff of a private school in New England and the single mother of 15-year-old Peter. She is also very troubled woman. As the novel opens, Vida is marrying Tom Belou, a widower with three children of his own. In a spare 242 pages, the novelist probes deeply into the dynamics of life in a blended family, but those adjustments pale beside the exploration of Vida’s deteriorating mental health. Do read this one, and prepare yourself for an unexpected denouement.   

Police Procedurals

The mystery novel universe holds many sub-genres, prominent among which is the police procedural. In these novels, the action unfolds with law enforcement officers identifying and then arresting the perpetrator(s) of a murder. Forensic experts will examine the crime scene, a pathologist will perform an autopsy, and a team of detectives will gather evidence and interrogate witnesses. I find that these novels can sometimes be dry reading as the case grinds on, with dead ends and incorrect investigative speculation. And the officers are restricted in their actions by the legal regulations governing their profession.

The best authors of police procedurals enliven their stories with (a) lush or (b) bleak settings, as well as with peeks into the private lives of the clever cops. Ann Cleeves excels at the police procedural, and two of her many British mystery series have become popular multi-episode television programs: The Shetland Series and The Vera Stanhope Series. A few months ago, I reviewed the first title in Cleeves’ Two River Series, starring Detective Inspector Matthew Venn. This series is set on the wild north coast of Devon, in southwest England, where two rivers flow into the Atlantic. Here’s a recap of my initial post, followed by additional reviews of the two subsequent titles in the series. To fully appreciate these mysteries, it’s helpful to read them in the order in which they were written.

The Long Call     Ann Cleeves     (2019)  Matthew Venn has recently moved to Devon to take a new police job, but he’s conflicted about being back in the area where he grew up, in a strict fundamentalist Christian sect that he’s long been estranged from. When a man is found stabbed to death on a Devon beach, Matthew heads the investigation, following leads linked to an arts complex that also houses a day center for developmentally disabled adults. Complicating matters, Matthew’s husband founded and now runs this arts complex. The plot has plenty of twists, and all the detectives on the case come alive on the page. Matthew, in particular, will steal your heart with his sensitivity and kindness and inner brokenness. He’s also a damn fine investigator. (This is the only book in The Two River Series that has been brought to the screen so far, on BritBox.)

The Heron’s Cry     Ann Cleeves     (2021)  The second entry in the Two Rivers Series takes readers once again to the coast of Devon, this time during an exceptionally hot summer. A respected physician is found dead, with a large shard of glass from a broken vase in his neck. The vase was made by his own daughter, who is a professional glassblower. Matthew Venn and his team follow the clues that, once again, swirl around the local artists’ community that Matthew’s husband, Jonathan, is part of.  Cleeves excels in presenting her characters’ flaws in addition to their strengths, as they struggle with red herrings in the case. Themes here include revenge, depression, and childhood trauma.  

The Raging Storm     Ann Cleeves     (2023)  Jem Rosco is a local ne’er-do-well who made good in adulthood as a world-renowned sailor and explorer. He returns to the fictional rural town of Greystone, arousing much curiosity when he tells people at the pub that he’s waiting for a special visitor. A couple of weeks later, his body is found in a dinghy anchored off the Devon coast. The murder case has the investigating team interviewing dozens of residents, some of whom are members of the religious sect that Matthew Venn left decades previously. This novel gives readers further insights into the lives of detectives Jen Rafferty (divorced mother of two teens; sharp, intuitive) and Ross May (very devoted to his wife; smart but arrogant). Matthew’s husband, Jonathan, enters the narrative when he inadvertently helps the investigation. The blustery weather of autumn on the Devon coast features prominently in this third mystery of the Two Rivers Series, and the solution of the case really surprised me.  

Two by Tana French

The Searcher     Tana French     (2020)  I’ve known for many years that Tana French writes highly regarded mysteries set in Ireland, but, from online summaries, I’ve figured that her books were too violent for my taste. I finally decided to try The Searcher; I resolved that I’d send it back to the library after a few chapters if it got too intense. Well, I ended up reading all 451 pages in one day. Cal Hooper is an American who’s moved to the west of Ireland, seeking a peaceful place for an early retirement after 25 years with the Chicago police. He’s also trying to put behind him the recent painful dissolution of his marriage. As he scrapes mildewed wallpaper from the walls of the run-down Irish cottage that he bought, he meets a local kid, Trey Reddy, whose older brother has gone missing. Cal really doesn’t want to get involved, but he’s drawn into a tangled web of local crime. The novelist weaves a tantalizing tale but also has a way with descriptions of the Irish landscape, Irish weather, and Irish pub life that rings true and pulls the reader right in. (I lived in Ireland for a year, way back when, so there’s also the nostalgia for me.) Tana French checks all the boxes for mystery lovers.  

The Hunter     Tana French     (2024)  If you liked The Searcher, be sure to follow up with The Hunter. This mystery novel continues the story of Cal Hooper and Trey Reddy, drawing on the backstory of the previous novel. It’s set once again in the west of Ireland, two years later. Cal has developed a furniture repair business and now has an Irish girlfriend, Lena Dunne, who comes to play an important role in the plot. Trey’s loser father, Johnny, who left his family years before, has returned, bringing an English buddy and a wild scheme about mining for gold in the nearby mountains. Much to Cal’s consternation, Trey gets caught up in the scam, as the characters follow paths and clues up and down the mountainside. The dialog in this novel is somewhat bawdier than that in The Searcher, but men at a pub in an Irish village likely do talk like that as they taunt each other and circulate the latest gossip. (I had to look up a couple of dialect words—“yoke,” for example, means “thing-a-ma-jig.”) Since this novel clocks in at 467 pages, set aside time to read it within a short time span, so that you can keep all the threads straight!

Author Spotlight: Richard Osman

The British author Richard Osman burst onto the mystery book scene in 2020 with The Thursday Murder Club, the first title in what would become a bestselling series. The video production of this novel, now streaming on Netflix, was able to nab big-name stars, who are very well cast: Helen Mirren, Ben Kingsley, Celia Imrie, and Pierce Brosnan. Osman’s narrative adapts well to the screen, since it’s heavy on snappy, clever dialogue.

There are four sequels to The Thursday Murder Club novel, and throughout the series, various romances provide side interest. Osman, who is in his fifties, is somehow able to enter the minds of characters who are a generation older than he is. Be warned: you must read all the Thursday Murder Club novels in order; after the first book, Osman doesn’t provide much background to his characters. (A standalone Osman mystery, reviewed below, seems poised to develop into another series.)

How did it all start? As I noted several months ago in my review of The Thursday Murder Club, Osman sets his septuagenarian characters in a posh retirement community, Coopers Chase, in present-day England. Meeting every Thursday to discuss long-abandoned local cold cases are the four leads: a firebrand retired union organizer (Ron), a thoughtful psychiatrist (Ibrahim), a fearless ex-spy (Elizabeth), and a cautious former nurse (Joyce). Each of them is a hoot. When a contractor who has worked on the site where they live is found murdered, the Murder Club jumps into the not-at-all-cold investigation, to the chagrin of the police. The narrative starts out slowly but then rapidly picks up the pace, for a rollicking, witty murder investigation.

In the next book, The Man Who Died Twice (2021), three characters who were introduced in the first book become sort of honorary members of the Murder Club. Bogdan is a construction worker with a shady side but a heart of gold. Donna is an ambitious police constable who has figured out how clever those Coopers Chase retirees are. And Chris, Donna’s boss, is a sad-sack DCI who might finally be finding love. The plot in this novel, suitably complex, involves jewel thieves, the Mafia, Elizabeth’s ex-husband, and MI-6, the British foreign intelligence agency. There are numerous violent murders, but I wouldn’t call the book scary.

In The Bullet That Missed (2022), the Murder Club is examining a decade-old case in which a woman, Bethany Waites, was presumed dead even though her body was never found. The woman was a television journalist, so the Murder Club members find themselves angling to interview various British television personalities. (Note that author Richard Osman is himself a popular British television producer and presenter, so this is his bailiwick.) The club members also have to contend with serious threats against Elizabeth, related to her career with MI-6. Hmmm, is international money laundering somehow linked to the death of Bethany Waites?

The Last Devil To Die (2023) begins with the Murder Club grieving the death of an antiques dealer who is an old friend of Elizabeth’s husband, Stephen. This entry into the Thursday Murder Club series takes readers more deeply into Elizabeth’s marriage, even as the crew contends with powerful drug-smuggling cartels. There’s also an amusing sub-plot about online fraud aimed at the elderly. The body count surrounding the Murder Club activities is, again, quite high, but the tone of this novel remains like the previous ones: cozy, with amateur sleuths and mostly off-stage deaths. Osman doesn’t shy away from including in his story the infirmities of old age, and his treatment of a character with dementia is honest and moving.

As The Impossible Fortune (2025) opens, Joyce is planning the wedding of her only child, Joanna. At the wedding reception, the best man, Nick, confides to Elizabeth that someone has threatened to kill him. The next day, Nick disappears, and the Murder Club is off and running, to solve a mystery that goes deep into the intricacies of cryptocurrency. As usual, each member of the club has a part to play in the solution.

And now for the standalone novel from Richard Osman. We Solve Murders (2024) introduces the characters of Amy Wheeler and her father-in-law, Steve Wheeler. I wouldn’t classify this one as a cozy mystery; it’s rather a thriller that travels the globe, from Britain’s New Forest to the South Carolina coast, from Dubai to Dublin. Amy works as a bodyguard for an international private security firm. Steve is a retired cop who wants nothing more than to pet his cat and take part in a weekly quiz night at the local pub in rural Britain. But when three clients of Amy’s firm are murdered and Amy herself is attacked, she and Steve take off on whirlwind flights to get to the bottom of the crimes. The plot only works because Steve and Amy are able to fly on private jets thanks to wealthy Rosie D’Antonio, a famous author of murder mysteries, whom Amy has been assigned to protect. Rosie is an adventure-seeker, so she tags along and helps with the investigation. I guessed some of the plot, but that didn’t diminish my enjoyment of the story, since Osman’s lively dialogue again drives the narrative.

Starring Lake Superior

November 2025 marked the fiftieth anniversary of the sinking of a very famous freighter in Lake Superior, which is the largest and most northerly of the Great Lakes. Recent nonfiction books about the tragedy include Wrecked: The Edmund Fitzgerald and the Sinking of the American Economy by Thomas M. Nelson and Jerald Podair, and John U Bacon’s bestselling The Gales of November: The Untold Story of the Edmund Fitzgerald. I’ve read excerpts from both these titles, and I recommend them to readers who want all the human-interest details and all the speculation about how the sinking could have been averted. Of course, with this anniversary, there’s also been a revival of Gordon Lightfoot’s classic 1976 folk-rock ballad “The Wreck of the Edmund Fitzgerald,” which can be heard here.

I offer below a review of a historical novel set on Lake Superior long before the Edmund Fitzgerald went down, with all her crew, on November 10, 1975.

A Lesser Light     Peter Geye     (2025)  I’ve driven and walked for many miles along the shores of Lake Superior, which is more like an inland sea than a lake, with brooding waters and ferocious waves. Lake Superior is this novel’s central character, dictating life and death. The year is 1910, and Theobald Sauer arrives on the south shore of the lake, east of Duluth, Minnesota, to take the post of master lighthouse keeper at a new lighthouse. With him is his bride, Willa, forced into the marriage by financial circumstances and totally unsuited to be Theo’s spouse. Although both Theo and Willa are highly educated, Theo trades in conspiracy theories and religiosity, while Willa looks to science for guidance. Rounding out the cast of characters living near the remote lighthouse are a girl who has “second sight,” her fisherman uncle, the assistant lighthouse keepers and their wives—and wolves. Lots of wolves. The narrative moves very, very slowly, so I’ll admit right here that I skimmed some of the chapters between pages 300 and 400. Still, the novelist’s prose is radiant and his characters, especially that lake, are convincing.