For Black History Month

In honor of Black History Month in 2024, this post highlights some of my best-loved books by African American women.

First, a brand-new fiction review:

Company     Shannon Sanders    (2023)  The thirteen short stories in this volume are linked to each other through their characters, all of whom are members of the extended Collins family or friends of that family. The title also points to another linkage:  each story involves the arrival of a guest—“company”—in someone’s home. Settings include the District of Columbia, New York, and Atlanta, from the 1960s to the near-present. The characters are almost all African American, but they grapple with universal human issues, such as family obligations, sibling resentments, and workplace infighting. (The depiction of the nastiness of academic politics is spot on!) In sentences that are concentrated and sharp, Shannon Sanders gets to the heart of each of her characters, and by the end of the book you’ll have a full picture of a remarkable family.

Next, re-posts of my reviews of two novels:

The Kindest Lie     Nancy Johnson     (2021)  The racial tensions that trouble the United States play out through the stories of two families in the months near the 2008 election of Barack Obama. Ruth Tuttle, a successful Black engineer, can’t move forward with her life in Chicago until she finds the baby whom she was forced to give up when she gave birth at age 17 in an industrial town in Indiana. Her search reconnects her with her family and with the family of a young white boy nicknamed Midnight. The author tackles difficult issues of race, class, poverty, and social justice forthrightly and eloquently.

The Turner House     Angela Flournoy (2015) I’m pretty familiar with Detroit, so I can attest that Flournoy has captured the city in its gritty bleakness of the early 2000s as well as, through flashbacks, in its manufacturing glory of the mid-twentieth century. Her angle in is the varying fortunes of the African American Turner family, with thirteen children who were born in the better days and who are aging in the dying urban landscape. Although the cast of characters is huge, Flournoy keeps the plot manageable by developing primarily the stories of the oldest and youngest of this clan. The house that the Turners grew up in is depicted lovingly, as an organism in decline. The Turner House is about working class Detroiters of any race or ethnicity who are trying to maintain family bonds through tough times.

Finally, a re-post of my review of a famous memoir:

Becoming     Michelle Obama     (2018)  The former First Lady’s memoir is as engaging as a page-turner novel; I read it cover-to-cover in one day. This is the same Michelle Obama that you know from talk shows and interviews and from that slam-dunk speech that she gave at the 2016 Democratic National Convention. The cadence of the phrases is the same, the warmth is the same, the frankness is the same. For my full review, click here.

Fiction, Again

The Gravity of Birds     Tracy Guzeman     (2013)   An art history professor and an art authenticator in New York agree to search for missing works by a renowned painter and end up involved in a cross-country missing persons mystery. They discover that the two sisters depicted in the paintings had a troubled relationship with the painter thirty-five years in the past. I stayed up until 2 am to finish this poignant and complex novel.  Thanks to Cinda Hocking for the recommendation!

The Great Passion     James Runcie     (2022)   No, it’s not a love affair between two people but rather Johann Sebastian Bach’s “St Matthew Passion,” one of the greatest of all choral compositions, premiered in Leipzig in 1727. In this novel, the fictional Stefan Silbermann, as an adult, looks back on his year as a boy soprano and aspiring church organist studying with Bach. He narrates his experiences with the boisterous Bach household and with the brutal boarding school where he lives. Musicians should especially appreciate the details, but all fans of historical fiction should appreciate the portrayal of eighteenth-century Germany and of “The Big Guy,” JSB.

We Are the Brennans     Tracey Lange     (2021) Moving the plot along mostly through convincing dialog, Lange creates a vivid picture of the present-day Brennan family, pub owners in a town north of NYC. An estranged adult daughter comes home to recover after a serious car accident and gets retangled in family life, with some mystery and some romance enlivening things. The character names are odd, but the story is a winner. 


Whereabouts     Jhumpa Lahiri     (Written in Italian and translated by the author)            (2021)  Lahiri delivers a powerful if unconventional short novel, about an unnamed middle-aged single woman in an unnamed European city. Each of the 46 brief chapters is a precisely rendered, first-person vignette of some aspect of the woman’s daily life—she’s in her office or at the museum or on vacation or at the coffee bar. Altogether, the vignettes give the reader amazing insights into her personality and her life’s trajectory. 


The Kindest Lie     Nancy Johnson     (2021)  The racial tensions that trouble the US play out through the stories of two families in the months near the 2008 election of Barack Obama. Ruth Tuttle, a successful Black engineer, can’t move forward with her life in Chicago until she finds the baby whom she was forced to give up when she gave birth at age 17 in an industrial town in Indiana. Her search reconnects her with her family and with the family of a young white boy nicknamed Midnight. The author tackles difficult issues of race, class, poverty, and social justice forthrightly and eloquently.


French Braid     Anne Tyler     (2022)  Meet four generations of the Garrett family, from 1959 to 2020, mainly in Tyler’s favorite locale, Baltimore. The Garretts exemplify what families ideally do for one another: in the words of one character, “. . . ‘hide a few uncomfortable truths, allow a few self-deceptions.’” The family members are convincingly portrayed and their stories are memorable. Hang on through that first chapter, which seems slightly disjointed. This is a splendid book.